Tuesday, February 9, 2016

Agalloch - Faustian Echoes

Agalloch - Faustian Echoes
2012/ Black metal, Doom metal, Post-black metal


Agalloch, Portland's gift to the world, are usually known for their distinct atmospheric black metal sound which mixes black metal to doom metal and neofolk and so on. They are also known for their EPs that somewhat differ from their main releases. 'Faustian Echoes' is not an exception, even though its sound is closer to Agalloch's full-lengths' than most of their EPs.

'Faustian Echoes' consists of just one 21.5 minute song, which is the longest recorded Agalloch song to date. The lyrics are actually taken directly from Goethe's play Faust's English translation. The music itself ranges from traditional black metal to funeral doomish parts and to the familiar post-black metal-esque sound of Agalloch. The song manages to keep consistency all the way to the end and all the transitions are executed without breaking the flow.

The use of the samples from the 1994 movie 'Faust' are an excellent addition and the presence of the samples is a prime example of a successful sample usage. The song wouldn't be as powerful as it is without the samples, but since the samples aren't that frequent, their absence wouldn't ruin the song. 'Faustian Echoes' is recommended to anyone into atmospheric black metal or post-metal.

Monday, February 8, 2016

Wyrd - Unchained Heathen Wrath

Wyrd - Unchained Heathen Wrath
2000 / Pagan black metal



My first experience with Wyrd took place about a year ago during a local summer festival. While I’m sure they put on a great performance, I really didn’t think much of the band once they completed their set (possibly due to my inebriated state). It wasn’t until a few weeks ago that the band once again stepped into my life.

As I was perusing the shelves of a shady record shop one cassette in particular caught my eye. Its art depicted a dismal log cabin, with a Norse dragonhead protruding from its roof. It turned out to be Wyrd’s first demo “Unchained Heathen Wrath” and with a more than affordable price tag, I had to get it. After I took it home and gave it a listen I was hooked.

I enjoyed the demo so much that I went back to the shop a few days later and bought Wyrd’s first full-length record, “Heathen”. After 3 weeks of ownership I have yet to hear “Heathen”, just been too busy enjoying Unchained Heathen Wrath”.

Favorite Song: Hel

Weekly album: The Flashbulb - Arboreal

The Flashbulb - Arboreal
2010/ IDM


1. Undiscovered Colors
2. Dragging Afloat
3. The Trees In Russia
4. We, The Dispelled
5. Meadow Crush
6. A Raw Understanding
7. Dread, Etched In Snow
8. A Million Dotted Lines
9. Once Weekly
10. Springtime In Distance
11. Dreaming Renewal
12. The Great Pumpkin Tapes
13. Lines Between Us
14. Burning The Black And White
15. Telescopic Memorial
16. Skeletons
17. Tomorrow Untrodden

Orostider: After figuring out there's a lot more than metal music out there, I've been trying to find all kinds of different music. My journey to the wonderful world of electronic music started from french house and other more approachable forms of the genre about five or six years ago. Through this particular album, I found my way deeper into electronic music and ended up falling in love with idm's wide array of different elements.

Using idm (abbreviation for intelligent dance music) to describe an album is useless in the same way as describing an album with only 'metal.' 'Arboreal' could be categorized under drum n' bass / ambient / jazz fused idm. Those are the three major elements of this album, but in addition to them there's a quite large variety of minor elements and influences. Because of the wide array of different elements and sounds, two songs out of this album may sound entirely different. 'Burning the Black and White' verges Boards of Canada's ambient / idm sound , 'Undiscovered Colors' follows the glitchy drum n'bass pattern and 'Dreaming Renewal' incorporates more jazz elements than the aforementioned songs.

'Arboreal' works quite well as a gateway album to idm, but it shouldn't be treated as one. This isn't really an easy album for people unaware of idm, but it should offer an interesting trip to a colourful variety of feelings and sounds. The songs mainly evoke kind of longing feelings and the album as a whole is a calming and solid experience. 'Undiscovered colors' works as a slow paced introduction to these colourful feelings and after a wild ride, 'Tomorrow Untrodden' acts as a serene closure for the album. Picking a favourite track is quite difficult, but 'The Trees in Russia' is the high point of the album for me.   


tp5170: “What a pleasant surprise”, I thought when I had gotten past the halfway of the album as I had no idea what to expect. Unfortunately that was also the point after which the album stopped throwing surprises at me. The atmosphere in the tracks is rather chill and relaxing and that’s something I can truly appreciate given that I don’t usually come across this kind of atmosphere with the kind of stuff I usually consume, but the general feel/flow of the songs started to get pretty repetitive towards the end of the album. All together there were only two or three tracks I didn’t really like which would not be much of a issue since there are as many as 16(?) tracks on Arboreal, but it’s just that all of the tracks felt more or less the same. This of course might be something that stops being an issue if you listen to the album more than once.
Arboreal is not a bad album by any means and I think it simply overstays its welcome, it being an hour long and all.  In any case it was definitely an interesting experience and who knows, I might even return to Arboreal at some point.


btcarey: Aside from an awkward, short-lived, dubstep phase (during my early college years), electronic music has never really done it for me. Don’t get me wrong, I do appreciate songs with electronic elements (and there is nothing better than a good beat), but electronic music as a stand-alone genre just doesn’t appeal to my musical taste. That being said, by the end of my first listen it was evident that “Arboreal” was a solid album nonetheless. The musical quality is far above average and I very impressed to find that “The Flashbulb” is a one-man project.

The main selling point for me was diversity of musical elements. The album features guitar, drums, piano, vocals, orchestra instruments, and traditional electronic programming. My favorite of the aforementioned instruments was by far the jazzy drums, showcased perfectly on the song “Springtime in Distance”.

Some of the songs on the album are clearly better than others and with a run time of about an hour I was left feeling bored for moderate portion of the album (probably stemming from my lack of knowledge and appreciation for the style). Overall, this is a good album and anyone interested in electronic music should check it out.

Favorite Song: We, The Dispelled



Kattroll: When I first met Orostider about five years ago, it was made clear to me that even though he has long hair and wears metal band's t-shirt, his taste in music is wide. Like really wide. This time he told me he had two candidates, both being electronic at least to some point. The first option was said to be an album I've heard before and the second option was something none of us have never heard before. Surprisingly, he picked the latter. 

The first song was beautiful, but the next one's vocals didn't really do it for me. The songs feel disjointed and they are probably meant to be that, because there's a unique artwork for every song. Because the album didn't really feel meaningful to me, partly because of an unfamiliar genre, I decided to leave the album rolling on the background while cleaning. During the ninth song, 'Once Weekly', them music struck my feelings a bit too hard and I decided not to continue listening to the album, even though it was only half way done. I don't know if the music itself was too melancholic and sad for me or why, but I just felt like covering myself with a blanket and weeping. At the moment, I'm just incapable to listen to this kind of music. 


Sunday, February 7, 2016

Black Funeral - Az-i-Dahak

Black Funeral - Az-i-Dahak
2004 / Black Metal


I have had this on/off relation to Black Funeral for multiple years where I keep coming back to them but the urge to listen their stuff fades away relatively quickly. In general I have considered their music worth listening to but somehow I often forget about them until something reminds me of their existence again. However, recently I decided to check them out more thoroughly and for that purpose I just acquired a copy of Az-i-Dahak, and so here are my first thoughts on it.

So Black Funeral has a long history in making vampirism themed black metal/dark ambient and Az-i-Dahak is listed as the midpoint of the band’s discography. On the first spin I take note that that the sound is not as raw as on some of the band’s other albums and apparently the ambient elements are not as strongly present either. (Or then I remember it all wrong because I haven’t listened to their stuff in ages, but anyway..) So what are we actually left with?
To summarize, Az-i-Dahak is a thirty minutes long set of shorter monotonic black metal tracks. Now to be honest, I have thing for this kind of black metal if it’s done correctly, and in my mind this album manages it really well. 

The album goes for a semi-raw soundscape so the sound is rather unpolished, gritty and partly kind of flat, but that’s all part of the magic of this album for me at least. The atmosphere is kept consistent and it is aggressive as well as cold. I think that not a single bad track managed to make its way into the album and there is just enough variation between them to make the whole thing a short but engaging experience. At the time of finishing this text I have already went through the whole thing like four times so I guess it’s safe for me to say that I like it. I think that anyone interested in raw or monotonic black metal could find this worth a spin or two.

Friday, February 5, 2016

Mørket - Musta Luonto

Mørket - Musta Luonto
2015 / Crust, punk, black metal


The first time I got to know Mørket was in october 2015 when they were warming up for Cut to Fit and Feastem at Lepakkomies. I myself didn't warm up to attend the gig, because even if I've learned to listen to grindcore as the time passes, I'm not fond of the genre enough to travel to the neighboring city. Mørket first gained my attention because of its unusual name and after that I was even more aroused because of their occult artwork. The last nail to the coffin were the lyrics that are completely in Finnish. I couldn't resist myself from pressing the play button anymore and I have no regrets because of my decision. I could've added this to my top 2015 list, but at the time I was writing it, I hadn't listened to this album as much as I would've wanted to so I couldn't write anything coherent enough.

The first track is the album title song 'Musta Luonto' and it sort of reminds me of Ajattara. 'Syli' begins with pleasant punk speeding, and the intro for 'Suitset' could be heard in some 90's black metal classic. None of the aforementioned are bad attributes, rather vice versa. My favourite song is probably either the track number six, 'Kulje Kanssani', whose name itself gives me some serious Twin Peaks vibes, intentional or not, or the next track 'Suo.' The album as a whole is a befitting mess consisting of punk, crust and black metal and the combination works even better than well, even if I usually listen to the latter of the genres. Even though the lyrics deal with rather grim topics and the music itself is sort of rough, the album feels energetic and like one can figure out from the first paragraph, Finnish language is a huge pro for me. The lyrics work perfectly, are simple enough and even if they are simple, one can easily think of deeper meanings to them.

Today I sort of regret skipping the gig in autumn, but I'll probably get another chance to witness their live in future. And if there's ever going to be a physical release of this, I'm one of the eager buyers.

https://morketband.bandcamp.com