Thursday, January 21, 2016

Medeia - Cult

Medeia - Cult
2008 / Death Metal, Progressive Metal, Metalcore


Medeia is one of those bands that likes to have a good time and doesn't take themselves too seriously. However, one thing they DO take seriously is making music, and they do a fucking excellent job at it. Medeia's sophomore album "Cult" is a fast, aggressive, and energetic piece of work. Their signature sound incorporates a multitude of musical influences, making it difficult to brand them any one genre. The best generalization I can provide is to call it the bastard child of metalcore and death. The guitar riffs are fast and groovy, with a lot of chugging as well as impressive shred licks and break downs. The drum work, while not particularly technical, perfectly fits the flow of each song, giving the album as a whole a solid backbone. And lastly, the vocals. Vocalist Keijo Niinimaa from the prominent grindcore band "Rotten Sound" pulls the whole operation together. One of the most energetic vocalists I've seen, his distinct style suites the music's aggression flawlessly. Check this album out if you like Medeia, Rotten Sound, or death metal.

Favorite Song: Devouring

Wednesday, January 20, 2016

Gnaw Their Tongues - Abyss of Longing Throats

Gnaw Their Tongues - Abyss of Longing Throats
2015 / Black metal, Industrial, Experimental, Noise


Throats can be used to many things. They mainly serve a purpose to deliver the foods and drinks to the right destination. Slitting them or screaming are some other things people do with them, as the mastermind behind the project, Mories, told in an interview he gave to Noisey. He also mentions the every day terrors as one of the inspirations to him, and these horrifying acts and events can be heard through his music. A soundtrack to the eternal mutilation and horror.

This is not the first time noise and industrial are being used together with black metal. The result could be quite an awful listening experience, if done in a wrong way, but 'Abyss of Longing Throats' is a wonderfully frightening album. Even if the thoughts' topics it evokes are mainly about the cruelty of the mankind, the soundscape occasionally has a soothing feel. You sort of manage to share the disappointment in humanity that Mories feels. 

Recommended to people who generally enjoy somewhat unpleasant feelings caused by music and to people who liked The Body's 'I Shall Die Here.' Top tracks: 'Abyss of Longing Throats' & 'Up into the Heavens Down into the Circles of Hell.'  

Tuesday, January 19, 2016

Weekly album: Moonsorrow - Tämä ikuinen talvi

Moonsorrow - Tämä ikuinen talvi
1999 / Pagan Black Metal


1. Taistelu pohjolasta
2. Vihreällä valtaistuimella
3. Talvi
4. Luopion veri
5. Kuun suru

Kattroll: Freezing cold temprerature outside, car completely frozen and the amount of force I had to use to push the shopping carts in work maximized my limits. Few years ago, I could honestly say that I hated winter, but this is not possible anymore. After I found this album, I've learned to love winter. After a commonly awful day in work, I lit some candles and poured myself a glass of red wine. Then I placed my "Tämä ikuinen talvi" vinyl on the player for the very first time and succeeded in it without breaking it. It felt fantastic.

"Taistelu pohjolasta's" intro starts, and oh how I love it. This is what, in my opinion, is lacking in the 2008 reissue of this very song. This intro might just be one of the reasons, why the original is so fancy. The snowy footstep crunches of the intro feel simultaneously so fascinating and crude. You have no idea, who is coming and why, and the synth pattern after this doesn't decrease the mysterious effect.

In some cases machine drums are actually really awful and thus being an absolute no no from time to time, but on this album, the drum machine fits like a glove. Moonsorrow's demo era basically consisted of the two Sorvali cousins without an actual drummer. Drum machine blast beats, buzzing guitar riffs, Ville's rough vocals, beautiful melodies and crude winter influenced lyrics are actually all you need. "As the autumn turns to winter." Nowadays I actually anticipate this phenomenon, for it's impossible to listen to this masterpiece during summer. It achieves its peak in middle of a blizzard, but when there's not enough snow and coldness, even small amount of snowfall and frost do the trick. This is actually the reason why I chose this as an album of the week. Winter finally came.

If I had to say something bad about this album, I'd point out that the songs itself sound quite the same, excluding the intro and outro, making picking the favourite song quite hard. On the other hand, the album works magically just the way it is, so why change it?

Couple of the top moments of this album are the accelerating blast beat sections of "Talvi" and the main riff of "Luopion veri", which starts right after "Talvi" ends. It's a shame that Moonsorrow don't really play these songs live. Not even on the tour named "Talvi." At least they played "Taistelu pohjolasta" at Steelfest 2015. bit without the intro of course. At least the played the song. Oh the amount of euphoria I felt. Too bad the skank next to me didn't feel the same way as I and started to pull my hair. If you can't handle the front row, don't force your way there.  

"Kuun suru" is probably the prettiest outro song ever. So beautiful and calm. I can imagine the ice reflecting the shining of the stars. A perfect ending for a perfect album. 

Orostider: There are some bands who release demos which fall behind the rest of their releases and bands who release demos which are sort of timeless and are worth listening to even after several great releases. Moonsorrow is one of the bands that belong to the latter group. "Tämä ikuinen talvi" actually tops some of their full-lengths, even though all of their releases are superb. That's something I'd call an achievement.

Music-wise, "Tämä ikuinen talvi" offers early Enslaved influenced pagan black metal with moderate quality production. To people only aware of Moonsorrow's later releases, this album contains more pure black metal influence than what's present on the full-lengths. Even if this sounds menacing or if you prefer the lesser black metal influenced albums (like Voimasta ja kunniasta), this release is worth checking out. Just wait for the cold winter storms to come and listen to this album while observing the blizzard punishing people outside. It'll be worth it.       

tp5170: Despite generally liking the genre Moonsorrow represents quite a lot, the band has never appealed to me that much. ‘Tämä ikuinen talvi’ is the third or fourth release of theirs that I have checked out and my impression still stays unchanged. It’s not like there is anything wrong with the band’s style or so, and it just might be that I am not a huge fan of the overall atmosphere they are aiming for. ‘Tämä ikuinen talvi’ is not a bad release by any means and the songs’ heavier parts are something I do appreciate but unfortunately the other parts do not strike me as that engaging.

btcarey: Moonsorrow’s demo, “Tämä Ikuinen Talvi”, seems to get better and better with every listen. This being said, I really didn’t think much of it after my first play through. The demo wasn’t as in-your-face as the music I was into at the time, and I missed many of the subtleties that make this demo great. It wasn’t until recently that, by chance, I came across this obscure little jewel and gave it another spin. To my surprise, there was so much more going on then what I had originally absorbed. As soon as the last track ended, I instantly hit replay, since then I’ve been hooked.

Even though Moonsorrow is currently one of the leaders in folk / pagan metal, their roots lie deep in the depths of symphonic black metal. While I’m not a big fan of symphonic black metal specifically, Moonsorrow balances black and symphonic elements perfectly, giving “Tämä Ikuinen Talvi” a beautiful mix. The music is as expected; heavily symphonized passages, melodic keyboard work, and full out black metal guitar riffs and vocals. If you’re a fan of Moonsorrow or like folk, symphonic black, or black metal genres, give this a few spins and tell me it isn’t awesome.

Favorite Song: Luopioden Veri

Saturday, January 16, 2016

Nile - What Should Not Be Unearthed

Nile - What Should Not Be Unearthed
2015 / Technical Death Metal


Nile's most recent release "What Should Not Be Unearthed" is not their worst album but certainly not their best either. It's a well written album but it just feels a bit stale in a way, leaving me wanting something a bit deeper. Don't get me wrong, it has some very solid tracks, like "Evil to Cast Out Evil" and "To Walk Forth From Flames Unscathed", yet the album as a whole is lacking. I know Nile's members are all talented musicians and hope they would step out of their comfort zone and experiment a little bit. Nile is a seasoned band and if they used all their experience and talent they could produce a truly great record, this just wasn't it. I would recommend this album to Nile fans and people interested in technical death metal in general (this is a decent album after all).

Favorite Song: Evil to Cast Out Evil 

Friday, January 15, 2016

FGFC820 - Law & Ordnance

FGFC820 - Law & Ordnance
2008 / Industrial EBM



I came across some tracks of FGCF820 by accident over the internet, thought it was kind of amusing and decided to check their reputedly most noteworthy album, Law & Ordnance. I had no previous experiences with this particular genre, and to be honest, it wasn’t exactly my cup of tea but it wasn’t abysmally bad either. 

The sound of basically every track is really cheesy which is to be expected from the genre I guess, but at the same time it does make the tracks rather catchy. However, the song quality is all over the place and it’s unfortunate that many of the album’s tracks are just plain out bad and most of the good ones are tied with annoying and unnecessarily long intros. The harsh vocals add a nice touch to the mix but are not enough to carry the whole album.
To be frank I see no reason to listen to the whole set again, but I might end up returning to some of the more memorable tracks.

Favorite song: Killing Fields